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WHY DID I EVEN ART?
WP4L (ADMIRER)

wardenchampion:

IN 2019 WE HEAL + WE THRIVE

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(via smoochesfromstacey)

leflambeur:
“ By Steph Wilson for Elle Magazine
”

leflambeur:

By Steph Wilson for Elle Magazine

(via threewayradio)

harrystylesdaily:
“_glen_luchford: #favorites #of #2018 @harrystyles @gucci #alessandromichele @christophersimmonds
”

harrystylesdaily:

_glen_luchford: #favorites #of #2018 @harrystyles @gucci #alessandromichele @christophersimmonds

habibroyg:
“me, ending the year
”

habibroyg:

me, ending the year

(via youresonotfetch)

Rare Photos of Black Rosie the Riveters

endangered-justice-seeker:

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During World War II, 600,000 African-American women entered the wartime workforce. Previously, black women’s work in the United States was largely limited to domestic service and agricultural work, and wartime industries meant new and better-paying opportunities – if they made it through the hiring process, that is. White women were the targets of the U.S. government’s propaganda efforts, as embodied in the lasting and lauded image of Rosie the Riveter.Though largely ignored in America’s popular history of World War II, black women’s important contributions in World War II factories, which weren’t always so welcoming, are stunningly captured in these comparably rare snapshots of black Rosie the Riveters.

(via ootnaboot)

teathattast:

(via ootnaboot)

Filed under: theyre perfect,

(via ootnaboot)

fakehistory:
“Flag of the United States after the technological revolution (2017)
”

fakehistory:

Flag of the United States after the technological revolution (2017)

(via ootnaboot)

snaacks:

NICKI MINAJ PLAYING HORROR GAMES

(via youresonotfetch)

Source: snaacks
Source: ephemeralgay